Patricia Piccinini - Curriculum Vitae
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Biography
1965Born Freetown, Sierra Leone
1972Arrived in Australia
1985-88Bachelor of Arts (Economic History), Australian National University
1989-91Bachelor of Arts (Painting), Victorian College of the Arts
1994-96Coordinator, The Basement Project Gallery
2016Doctor of Visual and Performing Arts (honoris causa), University of Melbourne
2017-19Enterprise Professor, Victorian College of the Arts, University of Melbourne
 
Selected Solo Exhibitions
2019Life Clings Closest, Cairns Art Gallery, Cairns, Australia
 En Kaerlig Verden, Arken Museum, Copenhagen, Denmark
2018Curious Imaginings, Vancouver Biennale at the Patricia Hotel, Vancouver, Canada
 Patricia Piccinini and Joy Hester: Through Love, TarraWarra Museum of Art, Healesville, Australia
 Curious Affection, Gallery of Modern Art, Brisbane, Australia
 The Field (Project), Sydney Contemporary Artfair, Sydney, Australia
 Patricia Piccinini, Hosfelt Gallery, San Francisco, USA
2017Conscienceness, Kibla Portal, Kibla, Slovenia
 The Struggle and the Dawn, Roslyn Oxley9 Gallery, Sydney, Australia
 No fear unmingled with hope, Tolarno Galleries, Melbourne, Australia
2016ComSciencia, CCBB Rio De Janiero, Rio De Janiero, Brazil
 ComSciencia, CCBB Belo Horizonte, Belo Horizonte, Brazil
 Alone With The Gods, Greenaway Art Gallery, Adelaide , Australia
 We feel, conceive or reason, laugh or weep, Hosfelt Gallery, San Francisco, USA
 ComSciencia, CCBB Brasilia, Brasilia, Brazil
 Patricia Piccinini: Bodyscape, Yu-Hsiu Museum of Art, Caotun, Taiwan
2015Piccinini at Hosfelt, Artinternational, Istanbul, Turkey
 ComSciencia, CCBB Sao Paulo, Sao Paulo, Brazil
 Another Life, University of Quebec Art Museum, Montreal, Canada
 Relativity, Galway International Arts Festival Gallery, Galway, Ireland
 The Shadows Calling, Dark Mofo / Mercury Building, Hobart, Australia
 And colour is their flesh, Tolarno Galleries, Melbourne, Australia
2014Like Us, Newcastle Art Gallery, Newcastle, Australia
 The Touch of Another, Warrnambool Art Gallery, Warrnambool, Australia
 Skywhale, Splendour in the Grass, Byron Bay, Australia
2013Structures of Support, Canberra Museum and Gallery, Canberra, Australia
 I have spread my dreams under your feet, Roslyn Oxley9 Gallery, Sydney, Australia
 Kaunas Biennial Unitext, NGO Kaunas Biennial, Kaunas, Lithuania
 Skywhale, Canberra Centenary, Dark Mofo, Canberra, Hobart, , Australia
2012Those who dream by night, Haunch of Venison , London, UK
 There are no strangers, Tolarno Galleries, Melbourne, Australia
 The Welcome Guest, Conner Contemporary Art, Washington DC, USA
2011Hold Me Close To Your Heart, Arter Space For Art, Istanbul, Turkey
 Once Apon a Time, Art Gallery of South Australia, Adelaide, Australia
 The Welcome Guest, Conner Contemporary Art, Washington DC, USA
 The Fitzroy Series, Centre for Contemporary Photography, Melbourne, Australia
2010Relativity, Art Gallery of Western Australia, Perth, Australia
 Not as We Know It, Haunch of Venison , New York, USA
 Beyond Our Kin, Roslyn Oxley9 Gallery, Sydney, Australia
 Patricia Piccinini, Leeahn Gallery, Daegu and Seoul, Korea
2009Evolution, Tasmanian Museum and Art Gallery, Hobart, Australia
 Unforced Intimacies, Tolarno Galleries, Melbourne , Australia
 Recent Work, Byblos Art Gallery, Verona, Italy
2008The Place Where It Actually Happens, Yvon Lambert, New York, USA
 Piccinini, Perc Tucker Regional Gallery, Townsville, Australia
 The Wellspring, Tolarno Galleries, Melbourne, Australia
 Related Individuals, Roslyn Oxley9 Gallery, Sydney, Australia
2007(tiernas) Criaturas/(tender) Creatures, Artium, Vitoria-Gasteiz, Spain
 Hug: Recent Works by Patricia Piccinini, Frye Museum, Des Moines Art Center, Seattle, Des Moines, USA
 Double Love Knot, Lismore Regional Gallery, Lismore, Australia
 Recent Work, Roger Williams Gallery, Auckland, New Zealand
2006In Another Life, Wellington City Gallery, Wellington, New Zealand
 Recent Drawings, Roslyn Oxley9 Gallery, Sydney, Australia
 Life Cycle, Tolarno Galleries, Melbourne, Australia
2005Nature's Little Helpers, Robert Miller Gallery, New York, USA
 Unbreaking Eggs, Roslyn Oxley9 Gallery, Sydney, Australia
2004Sculpture, Robert Miller Gallery, New York, USA
2003We are Family, Australian Pavilion, 50th Venice Biennale, Venice, Italy
 We are Family, toured to Hara Museum, Bendigo Art Gallery, Tokyo, Bendigo, Japan, Australia
 Precautionary Tales, Tolarno Galleries, Melbourne , Australia
 Precautionary Tales, Roslyn Oxley9 Gallery, Sydney, Australia
 Love Me Love My Lump, Monash Centre and Dryphoto Gallery, Prato, Italy
 Call of the Wild, toured to John Curtin Gallery, Perth, Australia
2002Call of the Wild, Museum of Contemporary Art, Sydney, Australia
 Retrospectology, Australian Centre for Contemporary Art, Melbourne, Australia
 Sandman, National Gallery of Victoria, Melbourne, Australia
 Autoerotic, Roslyn Oxley9 Gallery, Sydney, Australia
2001The Breathing Room, The Tokyo Metropolitan Museum of Photography, Tokyo, Japan
 Superevolution, Centro de Artes Visuales, Lima, Peru
 One Night Love, Tolarno Galleries, Melbourne, Australia
2000Swell, Artspace, Sydney, Australia
 Desert Riders, Roslyn Oxley9 Gallery, Sydney, Australia
1999Protein Lattice, Republic Tower billboard, Melbourne, Australia
 Truck Babies, Tolarno Galleries, Melbourne, Australia
 Plasticology, NTT InterCommunication Centre, Tokyo, Japan
1998Sheen, Adelaide Festival, Adelaide, Australia
 Car Nuggets, Arts Victoria, Melbourne, Australia
1997Psycho, Tolarno Galleries, Melbourne, Australia
1996Natural Beauty, The Basement Project, Melbourne, Australia
 Your Time Starts Now..., Contemporary Art Centre of South Australia, Adelaide, Australia
 Your Time Starts Now..., Institute of Modern Art, Brisbane, Australia
1995Love Me Love My Lump, The Basement Project, Melbourne, Australia
 TerrUrbanism, toured to The Australia Centre, Manila, Philippines
1994TerrUrbanism, Centre for Contemporary Photography, Melbourne, Australia
 T.M.G.P., The Basement Project, Melbourne, Australia
 Indivisibles, The Basement Project, Melbourne, Australia
 
Selected Group Exhibitions
2019Encounters: Honoring the Animal in Ourselves, Palo Alto Art Center, Palo Alto, CA, USA
 Licht Luft Scheisse, Botanical Museum, Berlin, Germany
 The Coming World, Garage Museum of Contemporary Art, Moscow, Russia
 The XXII Triennale di Milano, Broken Nature, Palazzo dell Arte, Milan, Italy
 Apocalyptic Horse, Heide III: Albert & Barbara Tucker Gallery, Bulleen, Australia
 Enter, Housemuseum Galleries, Kew, Australia
 Projects, Seattle Art Fair, Seattle, USA
 Perfection, Science Gallery, Dublin, Ireland
 The Gifts of Tony Podesta, Katzen Art Center, Washinton DC, USA
 Reshaped Reality, Chiang Kai-sheck Memorial Hall, Taipei, Taiwan
2018Auto-didactic: The Juxtapoz School, Petersen Automotive Museum, Los Angeles, USA
 Obsession: Devil in the Detail, Mornington Peninsula Regional Art Gallery, Mornington, Australia
 The Public Body, Artspace, Woolloomooloo, Australia
 Perfection, The Science Gallery, Melbourne, Australia
 This Wild Song, Town Hall Gallery, Hawthorn, Melbourne, Australia
 Mirror Mirror, Paul Robeson Galleries, Newark, NJ, USA
 The Exodus of Ordinary, Vivian Gallery, Warkworth, New Zealand
 Frankensteins Birthday Party, Hosfelt Gallery, San Francisco, USA
 Adelaide Biennial of Australian Art: Divided Worlds, Art Gallery of South Australia, Adelaide, Australia
2017Let's Play, Bunjil Art Gallery, Narre Warren, Australia
 Hyper Real, National Gallery of Australia, Canberra, Australia
 All the Better to See you with, Fairy Tales Transformed, Ian Potter Gallery, Universty of Melbourne, Parkville, Australia
 Pulsanti, Abdulmecid Mansion / Arter, Istanbul, Turkey
 At 50, Tolarno Galleries, Melbourne, Australia
 Gys! Er den levende?, Arken Museum of Modern Art, Copenhagen, Denmark
 Momentum 9 Bienale 'Alienation', PunktO Galleri 15, Moss, Norway
 Revival, National Museum of Women in the Arts, Washington, USA
 Beyond Belief: the Sublime in Contemporary Art, Bathurst Regional Art Gallery, Bathurst, Australia
 Mad Love, Arndt Art Agency, Berlin, Germany
 The Universe and Art, ArtScience Museum, Singapore
2016The Universe and Art, Mori Art Museum, Tokyo, Japan
 On the Origin of Art, MONA (Musuem of Old and New Art), Hobart, Australia
 New Romance  Art and the posthuman, Museum of Contemporary Art, Sydney, Australia
 Soft Core, Casual Powerhouse Arts Centre, Lake Macquarie City Gallery, Hawkesbury Regional Gallery, Bathurst Regional Gallery, Cowra Regional Gallery, Shoalhaven Arts Centre, Shepparton Art museum, Ararat Regional Art Gallery, Wagga Wagga Art Gallery, Sydney, Lake Macquarie, Hawkesbury, Bathurst, Cowra, Nowra, Shepparton, Ararat, Wagga Wagga, Australia
 Speed, Murray Art Museum, Albury, Australia
 The New Romance, National Museum of Contemporary Art, Seoul, South Korea
 Cornucopia, Shepparton Art Museum, Shepparton, Australia
 Weird and Wonderful, Museum Folkwang, Essen, Germany
 Australian Exotica, Monash Gallery of Art, Melbourne, Australia
2015Super Natural, National Museum of Women in the Arts, Washington, USA
 Materia Prima, LABoral Centro De Arte, Gijon, Spain
 The Post-Photographic Condition, Le Mois De La Photo a Montreal, Montreal, Canada
 Demonstrable, University of Western Australia, Perth, Australia
 Beautiful Beast, The New York Academy of Art, New York, USA
 Queensize  Female Artists from the Olbricht Collection, me Collectors Room, Berlin, Germany
2014Dark Heart, Adelaide Biennial of Australian Art, Adelaide, Australia
 Menagerie, Australian Centre for Contemporary Art, Melbourne, Australia
 In the Flesh: Experiencing the New Real, National Portrait Gallery of Australia, Canberra, Australia
 PULSE: Reflections on the body, Canberra Museum and Gallery, Canberra, Australia
 The Gathering II, Wangeratta Art Gallery, Wangaratta, Australia
 In the Flesh: Experiencing the new real, National Portrait Gallery of Australia, Canberra, Australia
 Remain in Light: Photography from the MCA collection touring exhibition, Museum of Contemporary Art, Ipswich Reg Gallery, Western Plains Culture Centre, Maitland Reg Gallery, Bendigo Art Gallery, Artspace Mackay, Hawkesbury Reg gallery, Sydney, Ipswich, Dubbo, Maitland, Bendigo, Mackay,Windsor, Australia
 Swell, Screen Space, Melbourne , Australia
2013Melbourne Now, NGV, Melbourne, Australia
 Post-humanist Desire: Sexuality and Digitality in Contemporary Art, Museum of Contemporary Art, Taipei, Taiwan
 Nature of the Beast, The New Art Gallery, Walsall, England
 How to tell the future from the past, Haunch of Venison , New York, USA
 The Future's Not What It Used To Be, Newlyn Art Gallery and The Exchange, Newlyn, England
 The Wandering: Moving Images from the MCA Collection, Cairns Regional Gallery, Cairns, Australia
 Project Genesis, Ars Electronica, Linz, Austria
 Call of the Wild, Hosfelt Gallery, San Francisco, USA
 Vrrooom, Perc Tucker Regional Gallery, Townsville, Australia
 Under My Skin: Contemporary Australian Photography from the Corrigan Collection, Rockhampton Regional Gallery, Rockhampton, Australia
 Seven Sisters, Karen Jenkins-Johnson Gallery, San Francisco, USA
2012Fairy Tales, Monsters, and the Genetic Imagination, The Frist Center for the Visual Arts,Glenbow Art Museum, Winnipeg Art Gallery, Nashville, Tennesse, Calgary, Manitoba, USA, Canada
 The Observer, Haunch of Venison, London, UK
 Louise Bourgeois, Heide Museum of Modern Art, Melbourne, Australia
 Blue: Matter, Mood, and Melancholy, 21c Museum Hotel, Louisville, USA
 Confounding: Contemporary Photography, National Gallery of Victoria, Melbourne, Australia
 Nature vs Nurture, FaMa Gallery, Verona, Italy
 Animal/Human, University of Queensland Art Museum, Brisbane, Australia
 Concepts of Life in Contemporary Sculpture, Georg Kolb Museum, Berlin, Germany
 Cycle in Cinema, University of NSW, College of Fine Arts, Sydney, Australia
 The Freeze, Maroondah Art Gallery, Melbourne, Australia
 Controversy: the power of art, Mornington Peninsula Regional Art Gallery, Melbourne, Australia
 Chromogenic, 2012, Media House Gallery, The Age building, Melbourne, Australia
 Inspiring Art> recipients of the Pat Corrigan Artists Grant, Maitland Regional Art Gallery, Maitland, Australia
20112112: Imagining the Future, RMIT Gallery, Melbourne, Australia
 Power of Making, Victoria & Albert Museum, London, UK
 Boundaries Obscured, Haunch of Venison , New York, USA
 Our Origins, Museum of Contemporary Photographty at Columbia, Chicago, USA
 Tokyo Art meeting: Transformation, Museum of Contemporary Art Tokyo (MOT), Tokyo, Japan
 Not As We Know It, Haunch of Venison , New York, USA
2010The Earth is Blue like an Orange, The Montreal Museum of Fine Arts, Montreal, Canada
 Medicine and Art, Mori Art Museum, Tokyo, Japan
 2nd Asian Art Biennale, National Taiwan Museum of Fine Arts, Taipei, Taiwan
2009Wonderland: through the Looking Glass, KadE Kunsthal, Amersfoot, The Netherlands
 Tier-Werden, Mensch-Werden, NGBK, Berlin, Germany
 Niet Normaal: Difference on Display,, Beurs Van Berlage,, Amsterdam, The Netherlands
 Colliding Worlds, Samstag Museum, Adelaide, Australia
 Contemporary Australia: Optimisim, GOMA Queensland Art Gallery, Brisbane, Australia
 Neo-Goth: Back In Black, University of Queensland Art Museum, Brisbane, Australia
2008The Stranger, Yvon Lambert, New York, USA
 Gallery Artists, Conner Contemporary Art, Washington DC, USA
 Figuring Landscapes, ArtSway, and then travelling UK and Australia until 2010, Hampshire, UK
 Life (Death Thereafter), Silvershot, Melbourne, Australia
 The Land of Retinal Delights, Laguna Art Museum, Laguna Beach, USA
 Bloodline: The Evolution of Form, McClain Gallery, Houston, USA
 New Millenium, Lismore Regional Gallery, Lismore, Australia
 FX in Contemporary Photography, McClelland Gallery and Sculpture Park, Melbourne, Australia
 Global Feminisms, Brooklyn Museum, New York, USA
 Switcher Sex: Video Works from the Teutloff Collection, Slought Foundation, Philadelphia, USA
2007Diagnose [Kunst]: Contemporary art reflecting medicine, Museum im Kulturspeicher , Wurzberg, Germany
 Diagnose [Kunst]: Contemporary art reflecting medicine, Kunstmuseum Ahlen, Ahlen, Germany
 Down Under: The Hague sculpture 07, Haags Historisch Museum, The Hague, The Netherlands
 MCA Collection: New Acquisitions, Museum of Contemporary Art, Sydney, Australia
 Artist Makes Video: Art Rage Survey 1994-1998, Queensland College of Art, Brisbane, Australia
 Redefined, Corcoran Museum of Art, Washington DC, USA
 Uneasy Nature, Weatherspoon Art Museum, Greensboro, USA
2006Long Live Sculpture, The Open Air Museum for Sculpture Middelheim, Antwerp, Belgium
 Prism, Bridgestone Museum of Art, Tokyo, Japan
 Black & Blue, Robert Miller Gallery, New York, USA
 High Tide, Zacheta National Gallery of Art, Warsaw, Poland
 Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F Johnson Museum of Art Cornell University, Ithaca, USA
 High Tide, Contemporary Art Centre, Vilnius, Lithuania
 The Idea of the Animal, RMIT Gallery, Melbourne, Australia
 New to the modern: Heide's Collection 25 years on, Heide Museum of Modern Art, Melbourne, Australia
 Strange Cargo, Newcastle Region Art Gallery, travelling exhibition until March 2008, Newcastle, Australia
 Supercharged, Institute of Modern Art, travelling exhibition until June 2008, Brisbane , Australia
 2006:Contemporary Commonwealth, Australian Centre for the Moving Image, Melbourne , Australia
 Epic, Lismore Regional Gallery, Lismore, Australia
 Home Goal: Diversity in Contemporary Art from the Collection of Dr. Dick Quan, Bathurst Regional Art Gallery, Bathurst, Australia
 Becoming Animal, MASS MoCA, North Adams, USA
 Detox, Kunstnernes Hus, Oslo, Norway
2005Figure It Out, Hudson Valley Center for Contemporary Art, Peekskill, USA
 I thought I knew but I was wrong, Ssamzie Space, Seoul, South Korea
 Almost, Robert Miller Gallery, New York, USA
 Living Apart Together, Odapark Venray, Venray, The Netherlands
 Extra-Aesthetic: 25 Views of the Monash University Collection, Monash University Museum of Art, Melbourne, Australia
 Rheinschau Art Cologne Projects, Art Cologne, Cologne, Germany
 Andererseits: die phantastik, Landesmuseum, Linz, Austria
2004We Are the World, Chelsea Art Museum, New York, USA
 Brides of Frankenstein, San Jose Museum of Art, San Hose, USA
 Auto Fetish: The Mechanics of Desire, Newcastle Region Gallery, Newcastle, Australia
 Bloom: Mutation, Toxicity and the Sublime, Govette Brewster Art Gallery, New Plymouth, New Zealand
 I thought I knew but I was Wrong, Jamjuree Art Gallery, Pathumwan, Bangkok, Thailand
 Adelaide Biennale of Australian Art, Art Gallery of South Australia, Adelaide, Australia
 Repercussions, Greenaway Art Gallery, Adelaide , Australia
 The Plot Thickens, Heidi Museum of Modern Art, Bulleen, Victoria
 Written with Darkness: Selected photographs from the Corrigan Collection, University of Technology Gallery, Sydney, Australia
 Face Up, Hamburger Bahnhof, Berlin, Germany
 Bienal de La Habana, Havana, Havana, Cuba
2003Second Sight, National Gallery of Victoria, Melbourne, Australia
 see, here, now, The Ian Potter Museum of Art, Melbourne, Australia
 Liverpool Biennale: International 2002, Tate Liverpool, Liverpool, England
 (The world may be) fantastic: 2002 Biennale of Sydney, Object Gallery, Sydney , Australia
2002Tech / No / Zone, Museum of Contemporary Art, Taipei, Taiwan
 Melodrama: Lo Excesivo en la Imaginación Posmoderna, Artium, Centro Museo Vasco de Arte Contemporáneo, Vitoria-Gasteiz, Spain
 Modified Terrain, Institute of Modern Art, Brisbane , Australia
 conVerge; where art and science meet, Art Gallery of South Australia, Adelaide, Australia
 Heterosis: Digital Art from Australia, Conde Duque, Madrid, Spain
 For Real, Wood Street Galleries, Pittsburgh, United States
 2nd Berlin biennale, Postfuhramt (Old Postal Services Building), Berlin, Germany
 hybridforms: Australian new media art, Netherlands Media Art Institute, Amsterdam, The Netherlands
2001Melbourne Festival, The Australia Projects, Melbourne Zoo and RMIT Gallery, Melbourne, Australia
 Seeing through Landscape, Australian Centre for Photography, Sydney , Australia
 Desire, Royal Melbourne Institute of Technology Gallery, Melbourne, Australia
 Gwangju Biennale, Gwangju City Art Museum, Gwangju, Korea
 Song of the Earth, Museum Fridericianum, Kassel, Germany
2000Passing Time: The Möet & Chandon Exhibition, Art Gallery of New South Wales, Sydney, Australia
 Terra Mirabilis: Wonderful Land, Centre for Visual Arts, Cardiff, Wales
 Zeitgeössische Fotokunst Aus Australien, Neuer Berliner Kunstverein, Berlin, Germany
 Zeitgeössische Fotokunst Aus Australien, Museum Scholß Hardenberg, Velbert, Germany
 Zeitgeössische Fotokunst Aus Australien, Kunstsammlungen, Chemnitz, Germany
 Zeitgeössische Fotokunst Aus Australien, Kulturzentrum der Stadt Stuttgart, Stuttgart, Germany
 Flow, National Art Gallery, Kuala Lumpur, Malaysia
 Bonheurs des Antipodes, Musée de Picardie, Amiens, France
 Make/Believe, The Fabric Workshop and Museum, Philadelphia, USA
 Sporting Life, Museum of Contemporary Art, Sydney, Australia
 Plastic Life, Level 2, Art Gallery of New South Wales, Sydney, Australia
 Akihabara TV 2, Akihabara electrical stores, Tokyo, Japan
 Signs of Life: Melbourne International Biennial, Telstra Exchange Building, Melbourne , Australia
 A Window Inside Outside, Gwangju City Art Museum, Gwangju, Korea
1999Probe, Australian Embassy, Beijing, China
 The Liquid Medium:Video Art, Queensland Art Gallery, Brisbane, Australia
 ARTificial Life, Artspace, Auckland, New Zealand
 Akihabara TV, Akihabara electrical stores, Tokyo, Japan
 The Persistence of Pop, Monash University Gallery, Melbourne, Australia
 Signature Works, Australian Centre for Photography, Sydney, Australia
 Art Life 21, Spiral TV, Spiral/Wacoal Art Centre, Tokyo, Japan
 Byte Me, Bendigo Art Gallery, Bendigo, Victoria
 Tolarno Galleries at the Moores Building, Perth Festival, Perth, Australia
 Up the Road: Contemporary Artists out of the VCA, Australian Centre for Contemporary Art, Melbourne, Australia
 Metamorphosis, Mornington Peninsula Regional Art Gallery, Victoria, Australia
1998Hype: Fashion, Art and Advertising, RMIT Gallery, Melbourne, Australia
 Natural Selection (Australian Perspecta 1997), Museum of Contemporary Art, Sydney, Australia
 Art=Advertising, Robert Lindsay Gallery, Melbourne, Australia
1997Lawyers, Guns and Money, Experimental Art Foundation, Adelaide, Australia
 Second Tokyo International Photo Biennale, The Tokyo Metropolitan Museum of Photography, Tokyo, Japan
 Fotofeis, Gallery of Modern Art, Glasgow, Scotland
 Nothing Natural, Plimsoll Gallery, Hobart, Australia
 Nothing Natural, Latrobe Regional Gallery, Morewll, Australia
 Wild Kingdom, Institute of Modern Art, Brisbane, Australia
 Techne, Perth Institute of Contemporary Arts, Perth , Australia
 Photography is Dead! Long Live Photography!, Museum of Contemporary Art, Sydney, Australia
 Science Fiction/Social Fiction, Galerie Der Stadt Schwaz im Palais Enzenberg, Austria, Australia
1996Perception & Perspective, National Gallery of Victoria, Melbourne, Australia
 Nothing Natural, The Basement Project, Melbourne, Australia
 Möet & Chandon Touring Exhibition, National Gallery of Victoria, Melbourne, Australia
 Möet & Chandon Touring Exhibition, Queensland Art Gallery, Brisbane, Australia
 Möet & Chandon Touring Exhibition, Art Gallery of South Australia, Adelaide, Australia
 Möet & Chandon Touring Exhibition, Art Gallery of New South Wales, Sydney, Australia
 Cyber Cultures, Performance Space, Sydney, Australia
 Alternative Realities tour, Pacific Cultural Centre, Taipei, Taiwan
 Alternative Realities tour, Tamsui Centre of Arre, Tamsui, Taiwan
 Alternative Realities tour, Mountain Art Gallary, Kaohsiung, Taiwan
 Alternative Realities tour, Karnataka Chitrakala Parishath Gallery, Bangalore, India
 Alternative Realities tour, Government Museum & Art Gallery, Chandigarh, India
 Alternative Realities, Ian Potter Gallery, University of Melbourne, Melbourne, Australia
 Alternative Realities tour, University of Science and Technology, Hong Kong, China
1995Alternative Realities tour, Zhu Qizhan Gallery, Shanghai, China
 Alternative Realities tour, Wang Fun Art Gallery, Beijing, China
 Alternative Realities tour, Gallery Artbeam, Seoul, Korea
 Technothelylogia: Technology for and by Women, Monash University Gallery, Melbourne, Australia
 Since the Accident, The Basement Gallery, Melbourne, Australia
 Our Parents' Children, National Gallery of Victoria, Melbourne, Australia
 A Gathering of Shades, Temple Studio, Melbourne, Australia
 Fleshly Worn, ASA Gallery, Aukland, New Zealand
 Ada's Spawn, New Media Network, Melbourne, Australia
 Plastiche (Curator), The Basement Project, Melbourne, Australia
 Critical Mass, Arts Victoria Gallery, Melbourne, Australia
 City Screens, Melbourne International Festival, Melbourne, Australia
 Deliquescence, 200 Gertrude Street, Melbourne, Australia
1993Deliquescence, Canberra Contemporary Art Space, Canberra, Australia
 Deliquescence, First Draft Gallery, Sydney, Australia
 
Selected Bibliography
2019Rebecca Morrill / Louisa Elderton, Great Women Artists, Phaidon Press, 2019, p. 320
 Paola Antonelli / Ala Tannir, Broken Nature, La Triennale di Milano, 2019, p. 261
 Yanki Lee, Kana Ohashi, Speculations: Beyond Human Centered Design, Shinano Co, 2019, pp. 274-275
 Corbett Lyon, Fleur Watson, Enter, Housemuseum Galleries, 2019, Central Gallery 9.
 Dr Otto Letze, Mr Franklin Hill, Reshaped Reality, Institute fur Kulturaustausch, 2019, pp. 120-121
 Franco Bolelli, Manuela Mantegazza, Per Tuttii I Per Sempre, Amazon , 2019, Front cover
 Jeans Jamin, Michel Leiris, Gradhiva, Musee Du Quai Branly, 2019, pp. 88-99
 Jean Marie Panazol, TDC (Textes et Documents Pour la Classe), Reseau Canope, 2019, pp. 7, 81
 Christian Gether, Stine Hoholt, Dea Antonsen, A World of Love, Arken Museum of Modern Art, 2019
 Henry T. Greely, Issues in Science and Technology, National Academy of Sciences& , Spring, 2019, pp. 32-33
 Jennifer Sakai & Klaus Ottmann, The Gifts of Tony Podesta, American University Museum, 2019, pp.88-89
2018Therese Gilligan, MC_AC, Loreto Mandeville, 2018, pp. 69-74
 Otto Letze, Nicole Fritz, Almost Alive / Kunsthalle Tubingen, Hirmer Verlag, 2018, pp. 122-123
 Nathan Scolaro, Dumbo Feather / PP makes Tender Art, Berry Liberman, 2018, pp. 86-95
 Sally Claxton, The Art of Feminism, Elephant Book Company Ltd, 2018
 Evelyn Tsitas, My Monster, RMIT Gallery, Melbourne, 2018, p. 54
 Liz Rideal, Kathleen Soriano, Madam & Eve, Women Portraying Women, Laurence King Publishing, 2018, p 107
 Samantha Comte, All the better to see you with, Fairy tales transformed, Ian Potter Museum of Art, 2018, pp.15, 82-85
 Peter McKay, Patricia Piccinini, Curious Affection, Queensland Art Gallery Gallery of Modern Art, 2018
 Anonda Bell, Mirror Mirror, Paul Robeson Galleries, Rutgers Uni, 2018, pp. 28, 104-105
 Elizabeth Finkel, Cosmos, Cosmos Media, Melbourne, Issue 77, 2018, pp. 52-61
2017Michael Klant / Joseph Walch, GK Kunst 2- Plastick, Skulptur, Objekt, Schroedel Westermann, 2017, p. 58
 Anna Davis, New Romance. Art and the Posthuman, Museum of Contemporary Art, Sydney, 2017, pp.8-9, 16,33,54, 140-147
 Abdulmecid Kosku / Omer Koc, Pulsanti aperietur, MAS Matbaacilik San ve Tic A.S., 2017, pp.20-21 50-51 64-67 71-71
 Matthias Arndt / Rachael Vance, MAD, Arndt Art Agency, 2017, pp. 38-41
 Kon Gouriotis, Artist Profile, Nextmedia, 2017, pp. 56-65
 Kathryn Wat, Revival, National Museum of Women in the Arts, 2017, pp. 78-81
 Honor Hager, The Universe and Art, Artscience museum, Singapore, 2017, p. 90
 Marysa van den Berg, KIJK / Dier Maakt Mens, KIJK Magazine, Netherlands, July, 2017, pp. 34-35
 Charles Green, Art Forum International, May 2017, Artforum International Magazine, 2017, p.356
 Richard Perram, Beyond Belief The sublime in contemporary art, Bathurst Regional Art Gallery, 2017, pp. 30-33
 Silja Leifsdottir, What Remains, Fotogalleriet, Oslo, 2017, p. 79
 Otto Letze, GYS! Er den levende?, Arken Museum for Moderne Kunst, 2017, p.90-91
 Bowden, Hannan, D'Aglas, Lindley, D'Angelo, Art-isan, Studio Arts for VCE, Cambridge University Press, 2017, p. 144, 208
 Adam Geczy, The Artificial Body in Fashion and Art, Bloomsbury Publishing, 2017, p. 70,79,84-87
2016Michael Do, Soft Core, Ligare Book Printers, 2016, pp. 66-71
 Barbara Creed , Stray: Human/Animal Ethics in the Anthropocene , Power Publications , 2016
 David Walsh, On the Origin of Art, Museum of Old & New Art, 2016, p. 453-461
 Nanjo Fumio, The Universe and Art, Mori Art Museum, Tokyo, 2016, p. 126
 Natasha Bullock, MCA Collections, Museum of Contemporary Art, Sydney, p. 292-293
 Malene Breusch Hansen, Researchers Wildest Tools, Bonnier Publications Int, 2016, p. 93
 Thomas Macho, Das Schwein, Agora 42, Aug-2016, pp. 43-48
 Jane O'Sullivan, Beyond the Border, Australian Financial Review, March, 2016, pp. 54-59
 Joan Fontcuberta, The Post-Photographic Condition, Kerber Photo Art, 2016, pp. 122-127
2015Jeon Hyesook, Post Human, SACK, Seol, Korea, 2015
 Kim Jeongbae, New Romance, MMCA, Korea, 2015, pp. 140-155
 Marcello Dantas, Comciencia, Centro Cultural Banco, Brasil, 2015
  William Myers, BioArt: Altered Realities, Thames & Hudson, 2015, pp. 52-57
2014Jessica Housand-Weaver, Carbon Culture, Media Solutions USA, Issue 1, Fall 2014, Cover front & back, pp. 51-56
 Jaqueline Millner, ARTAND Australia, Art & Australia, Issue 52.1 - 2014, Cover, pp. 4, 128, 136-143
 Ron Radford, Collection Highlights, National Gallery of Australia, 2014, p. 196
 Andrea Virginas, Acta Universitatis Sapientiae, Sapientia Hungarian Uni of Transylvania Scientific Publishing House, Vol 8, 2014, pp. 149-166
 Lisbeth Brunnich, Science Illustrated, Denmark, Bonnier Publications, Issue 17, 2014, p. 22
 Penelope Grist, Portrait, National Portrait Gallery, Spring/Summer, 2014, pp. 8, 17
 Elizabeth Ann Macgregor OBE, Glenn Barkley, Remain in Light (exhibition catalogue), Museum of Contemporary Art, Sydney, 2014, pp. 50-51
 Laura Baigorri Ballarín, Sense and Responsibility: A Bioethical Perspective on Experimental Creation, Hipatia Press, Vol 2, Number 2, 2014, pp.152,153, 161
 Julie R. Sasse, Blurred Boundaries: A History of Hybrid Beings and the Work of Patricia P., University of Arizona Press, 2014
2013Mr. Terukazu Suenaga, Ms. Yoko Hayashi, Mr. Motoaki Hori, The Art of the 20th Century and Beyond, Bijutsu Shuppan-sha, Tokyo, July 20th, 2013, p. 204
 Diana Warnes, Under My Skin (Exhibition Catalogue), Rockhampton Art Gallery, 2013, p. 49
 Caitlyn Burford, Manor House Quarterly, Manor House Quarterly, USA, Issue 07 , 2013, pp. 8, 46-57
 Zoe Forget, Hey (Modern art & pop culture), Ankame Editions, #15, 2013, pp. 66-75
 Lucy Marczyk, (INSIDE) interior design review, Niche Media Pty Ltd, Sept / Oct 2013, p. 20
 Gong Yan, Art World 278 (Safari, the Zoetrope of Monsters), Shangai Central Publishing, 2013
 Deborah Robinson, The Nature of the Beast (Exhibition Catalogue), The New Art Gallery Walsall, 2012
 Jason Smith / Linda Michael, Louise Bourgeois in Australia (Exhibition Catalogue), Heide Museum of Modern Art, 2013, p. 118-121
2012Antoine de Galbert, Memories of the Future, Collection of Thomas Olbricht (MR8), Fage Edition et La maison rouge, 2012, pp. 84, 210-211
 Kelly Gellatly, 101 Contemporary Australian Artists, National Gallery of Victoria, 2012, p. 170-171
 Marc Wellmann, BIOS Concepts of Life in Contemporary Sculpture, George Kolbe Museum, 2012, Cover, pp. 82-85
 Bild I Skolan, En Ingang I Samtidskonsten, Swedish Teachers Union, Jan, 2012, p. 26-27
 Scala, Mark W., Fairy Tales, Monsters and the Genetic Imagination (Exhibition Catalogue), Vanderbuilt University Press, Sept, 2012
 Ewen McDonald, MCA Collection. Volume One, Museum of Contemporary Art, Sydney, March, 2012
 RMIT Gallery, Imagining the Future (exhibition catalogue), RMIT Gallery, Melbourne, Jan, 2012, p. 50-51
 Harrington, Zoe, Sculpture and the Enemies, Sculp & Enemies.com.au, Jan-March, 2012, p. 14-23
 JD Talasek, Rick Welch, Kevin Finneran, Visual Culture and Evolution, an Online Symposium, University of Maryland, USA, 2012, p. 188-189
 McDonald, Helen, Nearly Beloved, Patricia Piccinini, Piper Press, 2011
 Tony Ellwood, Ten Years of Contemporary Art. The James C Sourris AM Collection, Queensland Art Gallery, 2011, p. 138
2011Singapore Art Museum, Video, an Art, a History 1965 - 2010, Singapore Art Museum, 2011, p. 88, 91, 93
 Jane Messenger, Once Upon A Time (Exhibition Catalogue), Art Gallery of South Australia, 2011
 Katrina Strickland, Neither Fish nor Fowl, Weekend Australian Fin Review, 2011, p. 37
 Millner, Jacqueline, Conceptual Beauty, Artspace, Sydney, 2009, pp. 16-22, 106
 Robertson, Jean and McDaniel, Craig, Themes of Contemporary Art: Visual Art after 1980, Oxford University Press, 2010, pp. 264-266
2010Kwang-Suk, Lee, The Art and Cultural Politics of Cyber Avant-gardes, Thomson Publications, 2010, pp. 379-385
 Engberg, Juliana, Relativity (exhibition catalogue), Art Gallery of Western Australia, 2010
 Stadeus, Geert, and Snoeck, Patrick, Patricia Piccinini, Snoecks 2010, 2010, pp. 210-223
 Bodeker, Katja and Hammer, Carmen, Wunderforschung, Nicolai, 2010, pp. 52-53
 The Revival of Empty Spaces, Patricia Piccinini, Monthly Art Magazine, Apr-2010, pp. 72-77
 Reilly, Maura, Curating Transnational Feminisms, Feminist Studies Magazine, Spring 2010, p.161
 Hong, Kyoung-Han, Art in Post, Public Art, Mar-2010, pp. 142-143
 Hong, Kyoung-Han, Patricia Piccinini (interview), Public Art, Apr-2010, p. 177
 Chrudzimska-Uhera, Katarzyna, Niepewna przysztosc Rzezby: Patricia Piccinini, Lamus, Jul-1909, pp. 62-67
 Clark, John, Biennials and the Circulation of Contemporary Asian Art, Yishu: Journal of Contemporary Chinese Art, 2009, p.38
 Mori Art Museum, Medicine and Art: Imagining a future for Life and Love, Mori Art Museum, Tokyo, 2009, pp. 228-229
 Grehan, Helena, Performance, Ethics and Spectatorship in a Global Age, Palgrave Macmillan, 2009, pp. 8, 140, 142-3, 162-7, 187, 189
2009Ardenne, Paul, Art le Present: La creation plasicienne au tournant du XXI siecle, Editions du Regard, 2009, pp. 156, 184
 Allemand, Lauranne, Denaro, Dolores, and team, Genipulation, Kunsthaus Centre d'art, 2009, pp. 116-119
 Roos, Robert, Wonderland: Through the Looking Glass, Kunsthall Kade Amersfoort, Netherlands, 2009, pp. 80-83
 Green, Erica, Colliding Worlds, Samstag Museum, University of Adelaide, 2009, pp. 1-3
 Egan, Fiona, Born to be Wild: the Motorcycle in Australia, Penrith Regional Gallery, 2009, pp. 4, 28
 Hackett, Edward, Reflections for Looking Forward, Sciencemag.com, Jan-2009, pp. 340-345
 Korper Kurz nach der Geburt, Kunst und Unterricht, Kallmeyer, Jul-1909, p. 49
 Warne-Smith, Drew, Up Next: Patricia Piccinini, The Weekend Australia Magazine, March 14-15, 2009, p. 7
 Martain, Tim, Otherworldly Designs, The Mercury Magazine, March 21, 2009, p.2-3
 Strickland, Katrina, Tasmania's Modern Take, The Weekend Australian Financial Review, April 9-13, 2009, p. 56
 Levine, Stacey, Looking Together: Writers on Art, University of Washington Press, 2009, p. 36, 45
 Neylan, John, Motherhood Statement, The Adelaide Review, Mar-2010, pp.30-31
 Smallenburg, Sandra, Beeldende Kunst, NRC Handelsblad, May 1, 2009, p.8
 The Phantasm of International Biennales, Monthly Art Magazine, Dec-2009, p. 116
 Palmer, Maudie, Encounters with Australian Modern Art, Macmillan Art Publishing, 2009, pp. 246-247
 Art and Australia, Current: Contemporary Art from Australia and New Zealand, Dott Publishing, 2009, pp. 256-259
 Haraway, Donna , When Species Meet, University of Minnesota Press, 2008, pp. 287-292, 387
2008Heartney, Eleanor, Art and Today, Phaidon Press, 2008, pp. 188-189
 Hulsbosch, Marianne, Cambridge Visual Arts: Stage 4, Cambridge University Press, 2008, pp. 148-149
 Slade, Lisa, The Thrall of the Skull, Neo Goth: Black is Back, 2008, pp. 24-26
 Koop, Stuart, Beep Crackle: Contemporary art from the middle of nowhere, Institute of Modern Art, Sydney, 2008, pp. 126-135
 Takamado, Her Highness, the Princess, Transcripts of Lectures, Osaka University of Arts, 2008, pp. 111-112
 Kudo, Kiki, Post No Future, Kawade Shobo Shinsha Publishers, Japan, 2008, pp. 127-129
 Braun, Bart, Nieuwe Dieren, Uitgeverji Veen Magazines, 2008, pp. 120-122
 Zeitz, Lisa, Moped als Madonna: Das geheime Leben der Vespa, Kunstmarkt, February 23, 2008, p. 44
 Foster Gage, Mark, Etiologies of Beauty: Architecture and the New Physics of Appearances, Perspecta 40: Monster, 2008, p. 93
 Johnson, Ken, Some Shows for Escape, Some for Introspection, The New York Times, July 4, 2008, p. 30
 Beare, Michael & Welfare, Phillippa, Just Imagine, Wollongong City Gallery, 2008, pp. 12-13
 Cruz, Marcos, Designer Surgeons, Architectural Design, Nov-2008, p. 48
 Saehrendt, Christian & Kittl, Steen, Sprachfuhrer Deutsch - Kunst, Kunst - Deutsch, Dumont Buchverlag, Koln, 2008, pp. 149-150
 Suzanne Anker and JD Talasek, Visual Culture and Bioscience, University of Maryland, USA, 2008, p. 198
 Queensland Art Gallery, Contemporary Australia: Optimism, Queensland Art Gallery, 2008, pp. 182-185
 Fernandez Orgaz, Laura, (Tiernas) Criaturas, Artium, 2007
 Haraway, Donna , Speculative Fabulations for Technoculture's Generations: Taking Care of Unexpected Country, (Tiernas) Criatures, 2007
 Alderton, Steven, Patricia Piccinini: Double Love Knot (exhibition catalogue), Lismore Regional Gallery, 2007
2007Hickson, Patricia, Hug or Run?, Hug: Recent Work By Patricia Piccinini, 2007
 Rosenberg, Randy, Art in Action: Nature, Creativity and Our Collective Future, The Natural World Museum, 2007
 Heartney, Eleanor, Worldwide Women, Art in America, June/July 2007, pp. 155-165
 Blas, Susana, Patricia Piccinini: Documentary about the exhibition (Tiernas) Criatures at Artium , Metropolis, Spain, Oct-2007
 Armstrong, Carol, Carol Armstrong on Global Feminisms and WACK!, Artforum International, 0101/00/0707, pp. 360-362
 Were, Virginia, A Matter of Transformation, ArTnews New Zealand, Summer 2007, p. 60-62
 Israel, Glenis, Essential Art, Jacaranda, 2007, pp. 202-206
 Wallis, Geoffrey, Eye to i: The Self in Recent Art, Ballarat Fine Art Gallery, 2007, p.90
 Smith, Royce W., Hug: Recent Work by Patricia Piccinini, Review, 0101/00/0707, pp. 42-45
 Astrapellou, Marilena, Dear Scooter: Patricia Piccinini's Auto Art, Intersection, Spring 2007, p. 26
 de Rooij, Marie Jeanne, Down Under: The Hague Sculpture 07 (exhibition catalogue), Veenman Publishers, 2007, pp. 76-80
 Artundo, N, Science in Person, El Correo Espanol El Pueblo Vasco, October 4th, 2007, Cover, p. 77
 Crespo, Txema G., Piccinini Bordering the Limits of Nature, El Pais, October 4th, 2007, p. 37
 Lloyd, Tim, The Canvas Economy, The Advertiser Review, Sept.1, 2007, p. 1, 6,7
 Macgregor, Elizabeth Ann, MCA Collection: New Acquisitions (exhibition catalogue), Museum of Contemporary Art, Sydney, 2007, p. 20
 Ostbye, Guri Lorentzen, Barn + Kunst = Danning, Gorilo Forlag, Oslo, Norway, 2007, pp. 148-149
 Toffoletti, Kim, Cyborgs and Barbie Dolls: Feminism, Popular Culture and the Posthuman Body, I.B. Tauris and Co. Ltd, 2007, pp. 133-159
 Fujinami, Rieko, Nesting in an Ambiguous World, Dart International, Fall 2007, p. 36
 Coslovich, Gabriella, NGV Masters private exhibition deal, Metro News and Reviews, 2007, p. 16
 Bugden, Emma (ed), Patricia Piccinini: In Another Life (exhibition catalogue), City Gallery Wellington, 2006
 Brennan, Stella, Border Patrol, In Another Life, 2006, pp. 6-9
 Winship, Ingrid, Genetics in a Genome Era, In Another Life, 2006, pp. 14-15
2006Weyns, Sara, Long Live Sculpture, Middelheim Museum, Antwerp, 2006, p. 13, pp.52-55
 Setsuko, Nakamura, Prism: Contemporary Australian Art, Bridgestone Museum of Art, Ishibashi Foundation, 2006, pp 71-77
 Doll, Nancy, Uneasy Nature, Weatherspoon Art Museum, 2006, pp. 42-47
 Kardasz, Magda and Rees, Simon, High Tide: New Currents in art from Australia and New Zealand, Zacheta National Gallery of Art, Warsaw, 2006, pp. 79-80, 216
 Larson, Kay, Beautiful Mutants, Art News, Feb-2006, pp. 106-109
 Boucher, Brian, Patricia Piccinini at Robert Miller, Art in America, Feb-2006, p. 128
 McRae, Vanessa, Supercharged: The Car in Contemporary Culture, Institute of Modern Art, Brisbane
 Green, Charles, 2006: Contemporary Commonwealth, National Gallery of Victoria, Melbourne, Jun-1909, pp.98-101
 Geczy, Adam and Genocchio, Benjamin, What is Installation? An Anthology of Writings on Australian Installation Art, Power Publications, Sydney, Jun-1909, pp. 301-305
 Crombie, Isobel, Light Sensitive: Contemporary Australian Photography from the Loti Smorgon Fund, National Gallery of Victoria, Melbourne, Jun-1909, pp. 14, 110, plate 10
 Reena, Jana, Review of Patricia Piccinini: Nature's Little Helpers at Robert Miller Gallery, tema celeste contemporary art, no. 113, p. 85
 York, Hong Cing-fong Hsiao, Artist of the Year / Asia Live, Art Taipei, 2006, 2006, Cover, first 10 pages.
 Slade, Lisa, Strange Cargo (exhibition catalogue), Newcastle Region Art Gallery, 2006, p. 6, 8, 13, 52,53
 Davies, Suzanne, The Idea of the Animal (exhibition catalogue), RMIT Gallery, 2006
 Tucker, Anne, Endangered Species: Patricia Piccinini and the Human Condition, Juxtapoz, February, pp. 72-77
 Riley, Jan, Patricia Piccinini, Sculpture Magazine, Vol 25, No 7, September 2006, p. 75
 Smith, Jason, Epic (exhibition catalogue), Lismore Regional Gallery, 2006, cover, p.5
 Perram, Richard, Home Goal (Exhibition catalogue), Bathurst Regional Art Gallery, 2006
 Lippert-Rasmussen, Kasper & Balling, Gert, Det Menneskelige Eksperiment, Museum Tusculanums Forlag, 2006, p. 233
 Miller, Christopher, Patricia Piccinini: Nature's Little Helpers, Robert Miller Gallery, 2005
 Kent, Rachel, Nature is as Nature Does: Patricia Piccinini's Super-Natural Creations, Nature's Little Helpers, 2005
 Havilah, Lisa, C'town Bling, Campbelltown Arts Centre, 2005
2005Mitzevich, Nick, Newcastle Region Art Gallery: Highlights from the Collection, Newcastle Region Art Gallery, 2005, p. 63
 Delany, Max, Extra-Aesthetic: 25 Views of the Monash University Collection, Monash University Museum of Art, Melbourne, 2005, pp. 50-51
 Wilson, Beth, Brand X Art, Chronogram, May-2005
 Glueck, Grace, The line between species shifts and a show explores and move, The New York Times, Aug-2026
 Genocchio, Benjamin, Images of Reality, In Three Dimensions, The New York Times, Jun-2026
 Glover, Michael, Masters of the dark arts, The Times, Oct-2029
 Smee, Sebastian, Nature's Little Helpers make tasty omelette, The Australian
 Tofts, Darren, Interzone: Media Arts in Australia, Craftsman House, 2005, pp. 98-101
 Welschen, Fred, Living Apart Together (exhibition catalogue), Odapark Venray, 2005
 Nowotny, Helga, Unersattliche Neugier: Innovation in einer fragilen Zukunft, Die Deutsche Bibbliothek, 2005, Cover
 Savie, Chris, Untitled article, Adbusters, 2005
 Rees, Simon, Adelaide Biennial of Australian Art exhibition catalogue, AGSA, 2004
 Patricia Piccinini: We are Family, BT, Vol. 56, no. 845, pp 15-17
 Bec, Luis, The Demonstrous, Monsters, Ghosts and Aliens: The politics of representation in the digital era, F. Javier Pascual, Madrid, 2004, p 60
2004Bourke, Gregory, Bloom: Mutation,Toxicity and the Sublime (exhibition catalogue), Govett Brewster Art Gallery, 2004
 Crisp, Lyndall, Freaks of Nature, Financial Review Weekend, 29-30 May 2004, p. 35
 Israel, Glenis, Senior Artwise 2: Visual Arts 11-12, Jacaranda, 2004, pp. 193-201
 Eisenmann-Klein, Marita, Reconstruction and updating in plastic surgery in 'UmBauhaus: Updating Modernism', Jovis Verlag, Berlin, 2004, p. 56
 Glass, Alexie & Tutton, Sarah, I thought I knew but I was wrong: New video art from Australia (exhibition catalogue), Asialink / ACMI, Melbourne, 2004
 Gibson, Ross, Written with Darkness (exhibition catalogue), University of Technology, Sydney
 Lovelace, Carey, Flesh & Feminism, Ms., Spring 2004, pp. 65-69
 Palmer, Daniel, Medium Without a Memory: Australian Video Art in 'I thought I knew but I was wrong', Asialink / ACMI, Melbourne, 2004
 Piccinini, Patricia, We are Family Lecture, Hara Museum Review, No 64, Spring 2004, pp. 6-7
 Plant, Simon, Art Breaking, Herald Sun Weekend, 08-May-2004, pp.6-7
 Rhodes, Kate, Patricia Piccinini's Desert Rider (Mountain), Art Bulletin of Victoria, Australia, No 44, 2004, pp. 90-91
 Villaca, Nizia, The Multiplication of Bodies in Artistic Communication in 'Metacorpos' (exhibition catalogue), Paco das Artes,Brasil, 2004, pp 56-7, 64-5, 100, 142
 Anderson, Karen, Monstrorum Historia: Biotech and Teriomorphism, Cluster, No. 4, 2004, pp. 144-151
 Vielhaber, Christiane, Junge Kunst ruckt nach vorn, Das Kunst Magazin, Vol. 11, 2004, p. 209
 Wertheim, Margaret & Christine, Teratology in 'Patricia Piccinini: We Are Family' (Linda Michael, Ed), Australia Council, 2003
 Smith, Jason, Patricia Piccinini: Sandman (exhibition catalogue), National Gallery of Victoria, Melbourne, 2003
 Antony, Rachael, We Are Family: Art by Patricia Piccinini, The Big Issue, no. 179, 9-24 June 2003, p. 11
2003Block, Andrew, Arts: Bizarre Beasts, Qantas, no. 115, January 2003, p. 61
 Boyd, Chris, Visions of a Strange New World, The Weekend Australian Financial Review
 Clifford, Andrew, Attack of the Clones, The Sunday Star Times, New Zealand, December 28 2003, p. 22
 Crawford, Ashley, Patricia Piccinini in 'see here now, Vizard Foundation Art Collection of the 1990s' (exhibition catalogue), The Ian Potter Museum of Art, Melbourne, 2003, pp. 108-109
 Eccles, Jeremy, For the Love of Her Art, The Canberra Times, 24-May-2003, pp. 6-7
 Fortescue, Elisabeth, Meeting a boy who isn't there, The Daily Telegraph, 17-Aug-2003, p. 34
 Foster, Alasdair, Interview: Patricia Piccinini, Photofile, no. 68, April 2003, pp. 18-23
 Glass, Alexie, Patricia Piccinini, res, March-April 2003, p. 43
 Kinsman, Chloe, Patricia Piccinini (interview), tema celeste contemporary art, no. 98, pp. 58-61
 Patricia Piccinini in 'Havana Biennale 2003' (exhibition catalogue) , Centre for Contemporary Art, Havana, 2003, pp. 180, 340-341
 Lynn, Victoria, Patricia Piccinini in 'Face Up: Contemporary Art from Australia' (exhibition catalogue), Kantz, Berlin, Germany, 2003
 McDonald Crowley, Amanda, Creative Encounters: The Art/Science of Collaboration, Sarai Reader, Feb-2003, pp. 227-235
 Michael, Linda, Patricia Piccinini: Still life with Stem Cells in 'Monash University Collection: Three Decades of Collecting', Monash University Museum of Art, Melbourne, 2003, p. 113
 Michael, Linda, Love Me Love My Lump: Patricia Piccinini Photographs (exhibition catalogue), Monash University Museum of Art, Melbourne, 2003
 Smith, Bernard, Patricia Piccinini in 'Two Centuries of Australian Art', Thames and Hudson, Victoria, 2003, p.162
 Carroll, Alison, Sun Gazing: The Australia-Japan Art Exhibitions Touring program 2002-2004, The Asialink Centre, The University of Melbourne, 2004
 McAuliffe, Chris, and Harvey, Sue, see here now: Visard Foundation Art Collection of the 1990s, Thames and Hudson, Victoria, 2003, pp. 108-109
 Strickland, Katrina, Mother Love, The Weekend Australian, 2-4 May 2003, pp. 14-17
 Woodcock, Ben, Freak Show, State of the Arts, pp. 89-90
 Fitzgerald, Michael, Driving out Demons, Time (Pacific), 30-Jun-2003, pp. 62-64.
 Genocchio, Benjamin, Genetically Modified Sculpture, The Australian, 11-12 January 2003, Review p. 21
 Genocchio, Benjamin, Piccinini and friends carve out a name in Venice, The Australian, 14-15 June 2003, p. 3
 Gill, Raymond, Family Values, The Age, 13-Jun-2003, A3 p. 12
 Hill, Peter, The Artist & Her Offspring, The Sydney Morning Herald, 25-26 January 2003, Spectrum pp. 6-7
 Hutak, Michael, The Far-out Pavilion, The Bulletin, 24-Jun-2003, p. 75
 Ingram, Terry, Happy as a pig in Venice: Piccinini parties to celebrate success, The Australian Financial Review, 26-Jun-2003, p. 43
 Lethbridge, Brett, Beauty Beyond Bizarre, The Courier-Mail, 14-Jun-2003, p. 30
 Naylor, Stephen, Feeling the heat at the 50th Venice Biennale, Art Monthly Australia, no. 161, July 2003, pp. 34-39
 Nelson, Robert, 'Clever Technology, Serious Questions', The Age, 04-Jan-2003, Arts p. 17
 Rees, Simon, Patricia Piccinini at ACCA, Flash Art, May-June 2003, p. 84
 Turner, Jonathan, Alien Nation, ARTnews, vol. 102, no. 8, September 2003, p. 107
 Lindinger, Verlag and Schmid, Uncompromising Mindset, Kunst Jahr 2003, 2003, p. 26, 28
 Kent, Rachel (ed), Call of the Wild: Patricia Piccinini (exhibition catalogue), Museum of Contemporary Art, Sydney, 2002
 Engberg, Juliana, Patricia Piccinini in '(The world may be) fantastic' Ewen McDonald (ed.) (exhibition catalogue), Biennale of Sydney, 2002
 Rowell, Amanda, Autoerotic (exhibition catalogue), Roslyn Oxley9 Gallery, Sydney, 2002
2002Boilermag.it, We Are Animals, Arti Graphiche, 2002, inside front cover
 Engberg, Juliana, Retrospectology: The World According to Patricia Piccinini (exhibition catalogue), ACCA, Melbourne, 2002
 Smith, Jason, Sandman: Patricia Piccinini (exhibition catalogue), National Gallery of Victoria, Melbourne, 2002
 Barragan, Paco, Patricia Piccinini in 'El Arte Que Viene (The Art to Come)', Subastas Siglo, Madrid, 2002, p. 236
 Faulkner, Jane, Patricia in Wonderland, The Age, 27-Nov-2002, p. 13
 Foster, Alasdair, Patricia Piccinini in 'Blink: 100 photographers 010 curators 010 writers', London: Phaidon Press, 2002, pp. 300-304
 Greenstein, M. A., Arte o Baño del sol, Lapiz, no. 179/180, 2002, p. 136
 McLean, Sandra, When Push Becomes Shove, The Courier Mail, 27-Jul-2002, p. 2
 Michael, Linda, Love Me Love My Lump, The Diplomat, December 2002 - January 2003, pp. 45-46
 Millner, Jacqueline, Love in the Time of Intelligent Machines, Artlink, Vol 21 no 4, 2002, p. 42-47
 Palmer, Daniel, Patricia Piccinini, Frieze: Contemporary Art and Culture, Issue 65, 2002, p. 93-94
 Papastergiadis, Nikos, One Night Love, Object, no. 39, pp. 50-52
 Piccinini, Patricia, Life in the Media Landscape in 'Prefiguring Cyberculture: An Intellectual History', Power Publications, University of Sydney, 2002, p. 202-203_
 Bennet, Oliver, The quality of Mersey: Liverpool Biennale/International 2002, The Observer, UK, 15-Sep-2000
 Green, Charles, Patricia Piccinini, Artforum, May-2002, p. 194
 Hill, Peter, Weird Science, The Sydney Morning Herald, 30 August-5 September 2002, Metro p. 26
 Hynes, Victoria, Driven, The Sydney Morning Herald, 24-30 May 2002
 McLean, Sandra, When Push Becomes Shove, The Courier Mail, 27-Jul-2002, p. 2
 Millner, Jacqueline, Storytelling, Eyeline, no. 49, Spring 2002, pp. 30-32
 Toffoletti, Kim, Patricia Piccinini; Lumps and Stem Cells, Eyeline, no. 50, Summer 2002/2003, p. 47
 Michael, Linda, One Night Love (exhibition catalogue), Tolarno Galleries, Melbourne
 Hennessey, Peter, Patricia Piccinini: Installations in 'What is Installation? An Anthology of Writings on Australian Installation Art', Power Publications, Sydney, 2001, p. 301
 Hutak, Michael, Perfect Planet, Professionally Reproduced, Australian Art Collector, Issue 18, October 2001, p. 65
2001McDonald, Helen, Erotic Ambiguities: The Female Nude in Art, Routledge, London, 2001, pp. 200-204
 Crawford, Ashley, Contemporary Australian Art, An Odd Creature from Down Under, Art and Australia ARCO insert, Vol 37, no. 2, 2001, p. 2
 Lancashire, Rebecca, Piccinini's Monsters, The Age, 26-May-2001, Extra p. 3
 McCulloch-Uehlin, Susan, Virtual Visions, The Australian, 27-Oct-2001, Arts p. 9
 Travis, Lara, Vivid Vehicles of Delight for Lovers of One Night, The Age, 27-Oct-2001, p. 22
 Webb, Caroline, Young Collectables, The Age, 26-May-2001, Today p. 1
 Engberg, Juliana, Essay in 'Atmosphere/Autosphere/Biosphere: Works by Patricia Piccinini', Drome, Melbourne, 2000
 Colless, Edward, Essay in 'Atmosphere/Autosphere/Biosphere: Works by Patricia Piccinini', Drome, Melbourne, 2000
 Yamagata, Hiroo, Essay in 'Atmosphere/Autosphere/Biosphere: Works by Patricia Piccinini', Drome, Melbourne, 2000
2000Leggett, Mike, Patricia Piccinini, Photofile, no. 60, August 2000, p. 8-11
 Miki, Akiko, Very New Art 2000: 100 Artists, BT Art Magazine, vol. 52, no. 782, January 2000, p. 188-189
 Millner, Jacqueline, Afterword: Perspective on Perspecta in Martin Thomas (ed.) 'uncertain ground', Art Gallery of New South Wales, Sydney, 2000, p. 170
 Pennings, Mark, Enchantment, Technoscience and Desire, Art and Australia, vol. 37, no. 4, 2000, pp. 556-565
 Murphy, Bernice, Patricia Piccinini in Zeitgeössische Fotokunst Aus Australien, Braus im Wachter Verlag, Heidleberg, Germany, 2000, pp. 26-31
 Australia's 50 Most Collectable Artists, Australian Art Collector, Issue 11, January 2000, p. 84
 Genocchio, Benjamin, Reality Check via Plastic Bimbo, The Weekend Australian, 05-Aug-2000, Review p. 18
 Hoffman, Frank, Report from Kwangju: Monoculture and its Discontents, Art in America, Nov-2000, p. 74
 Hong-Hee, Kim, Kwangju Biennial, Flash Art, Summer 2000, p. 100
 James, Bruce, I'll have what she's having, The Sydney Morning Herald, 02-Feb-2000, Arts p. 12
 Scarff, Julian, Probe, Art Asia Pacific, Issue 27, 2000, pp. 28-30
 Engberg, Juliana, Essay in 'Signs of Life: Melbourne International Biennial' (exhibition catalogue), City of Melbourne, 1999
 Hatanaka, Minoru, Plasticology, InterCommunication, no. 29, Summer 1999, p. 189
 Stanhope, Zara, The Persistence of Pop (exhibition catalogue), Monash University Gallery, Melbourne, 1999
1999Sun-Hee, Kim, A Window Inside Outside (exhibition catalogue), Gwangju City Art Museum, Korea, 1999
 Williamson, Clare, Digitalis Australis, History of Photography, no. 2, vol. 23, Summer 1999, pp. 107-113
 Clabburn, Anna, Baby Trucks Dump on Mass Consumption, The Age, 17-Mar-1999, Arts p. 17
 Colless, Edward, Patricia Piccinini, Art + Text, no. 66, October 1999, p. 79-80
 Frost, Andrew, Australia' s 50 Most Collectable Artists, Australian Art Collector, no. 7, 1999, p. 50
 Sinclair, Jenny, Oh Baby, It's a Truck! , The Age, 16-Mar-1999, IT p. 2
 Taylor, Kerry, Artist's Infatuation with a Baby Beast, The Age, 15-Mar-1999, News p. 7
 Hennessey, Peter, Essay in 'Sacred and Profane' (exhibition catalogue), 1998 Adelaide Festival Visual Arts Program, 1998
 Sansom, Gareth, The Long and Winding Road in 'Up the Road: Contemporary Artists out of the Victorian College of the Arts', ACCA, Melbourne, 1998
 Geczy, Adam, Australian Perspecta, Eyeline, no. 35, Summer, 1998, p. 40
1998Riley, Vikki, Machine Translations & Other Digital Heresies, Photofile, no. 53, April 1998, pp. 58-61
 Pennings, Mark, Art = Advertising (exhibition catalogue), Robert Lindsay Gallery, Melbourne, 1997
 Hennessey, Peter, Plastic Realist in Blair French (ed.) 'Photo Files: An Australian Photography Reader', Power Institute and ACP, Sydney, 1999, pp. 247-254
 Burne, Philippa, Up the Garden Path, HQ Magazine, no. 54, Sept 1997, p. 23
1997Johnson, Anna, Young at Art, Good Weekend, April 26, 1997, p. 36
 Uemura, Hisashi, LUMP, Gap Magazine, October, 1997, pp. 105-107
 Maloney, Evan, Consuming Art, Art Monthly, no. 99, May 1997, p. 17
 Rooney, Robert, Arts on Friday: Art=Advertising, The Australian, 14-Mar-1997, p. 12
 Hennessey, Peter and Gregory, Chris, Patricia Piccinini: Your Time Starts Now... (exhibition brochure), Contemporary Art Centre of South Australia, 1996
 Schubert, Robert, Patricia Piccinini: Fetal Futures, Art + Text, no. 54, May 1996, pp. 33-35
 Clabburn, Anna, There's Something in Nothing Natural, Mesh, no. 8/9, Autumn 1996, pp. 27-28
1996Cooper, Jackie, Natural Born Artist, The Australian, 01-Dec-1996, p.36
 Hill, Peter, Cameras, Lies and Photographic Exhibits, The Bulletin, 17-Sep-1996, p. 100
 Honeysett, Stuart, Computer Art a Child of Invention, The Australian, 14-May-1996, p. 7
 McFarlane, Robert, Looking to the Future, The Sydney Morning Herald, 28-Aug-1996, p. 11
 Owen, Kristin and Simon Plant, Bubbly Prospects, Herald Sun, 09-Feb-1996, p. 33
 Pennings, Mark, Patricia Piccinini: Your Time Starts Now..., Eyeline, Summer 1996, p. 34
 Rooney, Robert, Melbourne Art, The Australian, 24-May-1996, p. 18
 Rooney, Robert, Möet & Chandon Touring Exhibition, The Australian, 23-Feb-1996, p. 13
 Stanhope, Zara, Mapping the Code: Artists Conceiving Data-bodies, Mesh, no. 8/9, Autumn 1996, pp. 16-17
 Kent, Rachel, Alternative Realities: Australian Artists Working with Technology (exhibition catalogue), Ian Potter Gallery, University of Melbourne, 1995
 Latham, Mary Ann, Inside Out: An Interview with Patricia Piccinini, Aedon, Dec-1995
 Stanhope, Zara, Technothelylogia: Technology of and by Women (exhibition catalogue), Monash University Gallery, Melbourne, 1995
1995Cookes, Thomas, Multimedia Spawns Art, The Age, 12-Jul-1995, p. 21
 Gibson, Tom, Patricia Piccinini, Art + Text, no. 50, January 1995, p. 66
 McKenzie, Robyn, Hi-Tech Art Flows into the Mainstream, The Age, 26-Jul-1995, p. 23
 Hennessey, Peter, Patricia Piccinini: Indivisibles (exhibition brochure), The Basement Project, Melbourne, 1994
 Gregory, Chris, Indivisibles, Eyeline, Spring 1994, pp. 42-43
 Marsh, Anne, City Theme Rules, Herald Sun, 17-May-1994, p. 47
1994Storey, Rohan, The City Screen, Monument, vol. 1 no. 2, 1994, p. 64
 Teffer, Nicola, Body with Organs, Photofile, no. 42, June 1994, pp. 6-7
 Barren, Sonia, Pushing the Limits of Acceptability, The Canberra Times, 17-Feb-1993, p. 25
 Hawker, Rosemary, Heretical Gestures at the Birth of Enlightenment, Eyeline, no. 15, 1991, pp. 16-20
 Jones, Mathew, The Body Dis-corporate: Patricia Piccinini, Agenda, no. 20/21, November 1991, p. 18
1993Thompson, Kerstin, Charles Williams Gallery, Transition, no. 36/37, Summer 1991, pp. 172-17
1991
 
 
 
Selected Awards
2014Lifetime Acheivement Award, Melbourne Art Foundation
2006New York Residency, Australia Council
2002International Cultural Exchange Program, Arts Victoria
2000New Media Fellowship, Australia Council
1999Arts Development grant, Arts Victoria
1998Tokyo Residency, Australia Council
1997Project Grant, Australia Council
 International Cultural Exchange Program, Arts Victoria
1996Project Grant, Arts Victoria
1991Christopher James Blyth Memorial Award, Victorian College of the Arts
1990Theodore Urbach Award, Victorian College of the Arts
1989Theodore Urbach Award, Victorian College of the Arts
 
Selected Public Collections
 National Museum of Women in the Arts, Washington DC, USA
 Thomas Olbricht Collection, Berlin, Germany
 The Vehbi Koç Foundation, Istanbul, Turkey
 Weatherspoon Art Museum, North Carolina, USA
 Pheonix Art Museum, Arizona, USA
 Middelheim Museum, Antwerp, Belgium
 21C Museum, Louisville, Kentucky, USA
 National Gallery of Australia, Canberra, Australia
 National Gallery of Victoria, Melbourne, Australia
 Art Gallery of New South Wales, Sydney, Australia
 Queensland Art Gallery, Brisbane, Australia
 Art Gallery of South Australia, Adelaide, Australia
 Monash University, Victoria, Australia
 Newcatle Region Art Gallery, New South Wales, Australia
 The University of Melbourne, Victoria, Australia
 Griffith University, Queensland, Australia
 Waverley City Gallery, Melbourne, Australia
 Bendigo Art Gallery, Victoria, Australia

This document was created Wed, 16 Oct 2019 06:37:58 -0500